Songs like “Nunca Sapo, ” where Anuel stations Rick Ross’ Teflon Don ethos and spits a grimy slow-tempo movement over a sinister 808-laden instrumental, helped put a face to Anuel’s little-known name in the usa. On cuts like Farruko’s “Liberace, ” Anuel boosts their distribution for enjoyable and performs in the “Versace” rhythm popularized by Migos, whom all hail from Atlanta—the commonly credited birthplace of trap music. Continuer la lecture de « “Reggaeton went inactive for decades, ” he proceeded. “It ended up being required to make trap music, given that it felt like reggaeton was stuck an additional age. ” a student that is self-described of belated and oft-controversial Tupac Shakur, Anuel thought reggaeton had reached its peak and thought Latin trap will be its successor. »